Pratomagno is located in a mountainous zone in the impressive scene of the eastern portion of Tuscany, encircling the Apennine ridge between Casentino and the upper Valdarno.
Although that the southwest coping with the craggy scene of Valdarnese Pratomagno comprises of no vital components by itself, the paths that are scattered all throughout the site leads guests into a contentment packed with all-natural wonders. Those who stride throughout the paths will be intrigued by the marvelous streams and dikes that flow down from the narrow hillside into the river Arno. All over past, these water creations, together with wind and snow, have wowed a number of ridges and valleys in the face of the Pratomagno, which leaves a panorama that stupefies.
The mountain was believed to have dwelled beneath the sea for around five million years ago, has been called after the many of the ridge’s grassland (‘ Pratomagno,’ ‘prato’ = grassy region). The ridge can get to an average height of 1200 m, 1590 m on the surrounding mountain range Croce di Pratomagno and 1593 m as the maximum one on Mount Pianellaccio. The rock’s geological area consists of silt, sandstone, and clay, and the region itself has a microclimate whereby many plant varieties that extends from woodland plants to Mediterranean vegetation.
You should undoubtedly go visit Loro Ciuffenna wherein it is the town of Valdarno Superiore and can be located on Pratomagno’s southern ridge. This town is very distinct wherein its background dates back to 939. The town used to belong to the fiefdom of the Guidi distinguished family but it later on developed into below Florence’s rule. You can discover that the dazzling single-arched Romanesque bridge and water foundry of this medieval town is still nicely preserved where it originally ground the grains and wheat of the town.
An extra quality that regularly grabs the attention of site visitors to the area is the tower gate, one of the two genuine entries whereby the castle was accessed. It was brought back in the 1800s and is now a clock tower. Those who will walk to the greatest spot of the town will be blown away by the Church of Santa Maria Assunta, where it used to be the chapel of the medieval castle. In the latter portion of the 14th century, the church was made bigger and compacted into the town’s old city walls, which, according to an etching above the architrave of the ingress, were designed in 1333.
The treasures that are housed inside the church are as enticing as the architecture. The works that you should certainly look at are the ones credited to Mariotto di Cristofano which are the “Santo Martire” and “Vista di S. Elisabetta,” and the ones developed by Carlo Poretlli called “Annunciazione.”
Santuario di Nostra Signora dell’ Umilita
An additional site of attention is the Santuario di Nostra Signora dell’ Umilita, which stands throughout the road among Loro Ciuffenna and Gropina. This early 17th-century establishment houses a fresco from the 15th century, “Nativita di Maria,” which represents the Madonna with baby, San Pietro, and San Giovanni Battista and was thought to have been painted by Matteo Rosselli. Guests also have the privilege of appearing at the 17th-century cloth that demonstrates “San Carlo Borromeo in adorazione del Crocifisso,” which is impute to Agostino Ciampelli.
Read About Dario Checchini
Visit the home